I’ve tried once more using the coat of gelatine and have been another failure. Exposure times so long, even hours against the few minutes without it; also stains and low contrast. Same old disclaimer about the images taken from the web, if you to know about the author please let me to know. Those are […]Read more "Talbotypes v4.0"
I think it seems pretty obvious that I’m on the high curve of my bipolar states, sleeping few hours at the week, watching the Rugby’s world cup at the same time that I work, take photos and prepare papers for impressions. That’s my nature, I know it worries to my family (specially to my sister […]Read more "Talbotypes v3.0"
The lumen prints as raw material for new editions and explorations.Read more "Digital editions over Lumen prints"
From all the surrealist photographers Ubac is my favorite so far. The risks he took with the image are simply amazing. Is the great finding for me, an awesome artist.Read more "Inspiration: Raoul Ubac"
One of the greatest things from working in contact photography is the discovery of the beauty of negatives (l’informe once again). I’ve worked with negatives for a while but is just now that creating it digitally I’ve discovered a new world for exploration. Some exercises on that topic:Read more "Dark of the moon: negatives"
Massimo Attardi is such an amazing artist, one great photographer but also an amazing person. some days ago I could chat with him, a short conversation because I don’t want to be a bother to the people I admire, he even gave some info about his process and that means a lot for me. Also […]Read more "Inspiration Massimo Attardi"
Those two are the ones that are almost good, the next one is bad and the last ones are horrible. I don’t to know what happens with my bichromate gums I thought it was the formulae but I’ve changed it and neither. The tones are bad, the times of exposure are incredible high, I don´t […]Read more "Gum bichromates v0.0"